Convert M4A to WAV
An editor timeline, a sampler, a transcription workflow that insists on WAV — and a phone that records everything as M4A. This converts one to the other in your browser, and it is worth saying plainly what the conversion is: a bigger, uncompressed box for the same audio. What the AAC encoder discarded when the phone saved the file does not come back.
Your recordings
Drop your M4A files here
M4AWAVMP3Your files are never uploaded.
What you want back
Your files
How to convert M4A to WAV
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Add your M4A files
Voice memos, recordings, rips. They are decoded by your browser and never uploaded.
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WAV is already selected
16-bit, 44.1 kHz — what editors, samplers and CD audio expect. MP3 is one click away.
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Save the WAVs
One by one, or the whole batch as a zip.
What you get
A file the strict software accepts
Editors that will not import M4A, samplers that stream PCM, court and broadcast systems with fixed intake formats — they want WAV, and this hands them WAV without a desktop install or an upload to someone's server.
No second lossy step
Unlike converting to MP3, this adds no compression of its own: the AAC is decoded once and written out as raw samples. For audio headed into an editor, that matters — every later export starts from the cleanest copy this file can give.
Honest about the size and the ceiling
Expect several times the M4A's size, and no gain in quality — WAV preserves exactly what the AAC decodes to, artefacts included. The page says this because tools that imply otherwise are selling disk usage as fidelity.
Voice memos stay private
Recordings of meetings, ideas and interviews are decoded in this page. There is no upload step and no server, so no copy of your recordings exists anywhere else.
Questions about M4A and WAV
- Will WAV sound better than the M4A?
- No. AAC is lossy, so some detail was discarded when the file was first saved, and nothing can restore it. What WAV gives you is no further loss: from here on, every edit and every save keeps exactly what the M4A decoded to. Better is impossible; not-worse is the honest promise.
- Why do editors and samplers want WAV at all?
- Raw PCM needs no decoder: hardware can stream it from disk, and editors can cut it at any sample without decoding around the cut. Compressed formats decode in frames, which is why some tools refuse them or import them slowly. WAV is the format that requires nothing of the machine reading it.
- What sample rate and bit depth comes out?
- 16-bit at 44.1 kHz — CD audio's own shape, which is what nearly everything downstream expects. Voice memos are recorded at 44.1 or 48 kHz mono; the resample on the way through is inaudible for speech, and the file stays a third smaller than a padded 24-bit export would be.
- Does it take M4P files from the old iTunes store?
- No. M4P is encrypted, and the decryption never passes through a page like this one. An ordinary M4A — a voice memo, a recorder app's output, an unprotected rip — converts fine.
- Is it free, and is my file uploaded?
- Free, no account, no limit. Decoding and rewriting happen in your browser. Your files are never uploaded.
Need the words rather than the sound? The transcriber turns recordings into text, on this same no-upload model. Cleaning up a noisy recording first? Remove the background noise. Or see all the audio tools.